ÒStigma: Culture, Deviance, IdentityÓ

Dept. of Communication & Culture

Indiana University, Fall 2008

Prof. Susan Seizer

 

Course meetings:

Class times: TR 11:15 a.m. - 12:30 p.m. class + Th 7:15 pm screenings

Locations: TR classes = Rm. 100, 800 E. 3rd St.

Thursday screenings = Wylie 015

Office hours: T 2:00-4:00 p.m., Rm. 241, 800 E. 3rd Street

Email: sseizer@indiana.edu Office phone: 812-856-1986

*Film screenings are run by Assistant Instructor Shira Segal. Please contact Shira directly if you have any scheduling problems with film screenings: sbsegal@indiana.edu

 

Course Description:

 

Cultural value systems in every society rely on sets of mutually defining terms -- for example, normal/abnormal, able-bodied/disabled, heterosexual/homosexual, white/non-white -- that largely determine local attitudes of acceptance or ostracism regarding particular categories of persons. Focusing on social stigma allows us to understand how specific cultural value systems affect our most intimate senses of self, contribute to our very notions of personhood, and inform the way we communicate and engage with others in the world.

 

Stigma theory speaks broadly to the nature of the social relationships that create marked categories of persons, regardless of which particular attributes are devalued. In this class we look both at theory and at particular cases of stigmatized persons and groups, as attention to the particularities of a given stigma keys us in to the cultural values that create and support it. Since stigmas do change over time, identifying strategies that have been effective in creating such change is a primary focus of the course.

 

The theoretical centerpiece of this course is Erving GoffmanÕs 1963 study Stigma: Notes on the Management of Spoiled Identity. We will read this text closely to appreciate GoffmanÕs insights, and attempt throughout the semester to update the language he uses to convey his points by applying his model to more recent historical and ethnographic case studies of stigmatized persons and groups. Our focus will be on the range and efficacy of the various strategies available for managing and/or defying stigma.

 

The role of the expressive arts -- including novels, short stories, films, and performance art -- in the life trajectories of stigmatized persons and groups will be explored as one popular defiant strategy. We focus in particular on artists and activists whose work addresses contemporary cases of stigma. Weekly screenings of landmark films in the fields of disability studies, black studies, queer studies, gender studies, and India studies supplement regular class meetings; viewing these films is a critical part of this course.

 

Primary texts: The following nine paperback books are available for purchase at the campus bookstore. In addition, there is at least one copy of each on 1-day reserve at the Wells library reserve desk, located in the Kent-Cooper room.

 

á      Goffman,Erving. 1963. Stigma: Notes on the Management of Spoiled Identity. Simon & Schuster.

á      Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste. Harvard U Press.

á      Dreger, Alice. 2004. One of Us: conjoined twins and the future of the normal.

á      Bogdan, Robert. 1988. Freak Show. U of Chicago Press.

á      Groce, Nora Ellen. 1985. Everyone Here Spoke Sign Language. Harvard U Press

á      Ishiguro, Kazuo. 2006. Never Let Me Go. Vintage.

á      Feinberg, Leslie. 1993. Stone Butch Blues. NY: Firebrand Books.

á      Weschler, Lawrence. 1995. Mr. WilsonÕs Cabinet of Wonder. NY: Vintage.

á      Lorde, Audre. 1980. The Cancer Journals. SF: Aunt Lute Books.

 

All other readings (articles, essays, & chapter excerpts) for this course are downloadable from the Oncourse site, under Resources. Information on using and accessing electronic materials will be discussed at our first class meeting.

Course Requirements:

 

1. Reading: This course is organized as a small seminar for upper level undergraduates. The seminar format means that course meetings will include discussion every session. In order to fully participate in these discussions, it is mandatory that students do all the reading on the syllabus prior to each class meeting.

 

2. Mandatory reading responses posted on Oncourse: Use of the online Oncourse discussion forum facilitates productive discussion in class and keys me in to student responses to the course materials. Every student is responsible for posting for every class, due by 3:00 p.m. on the day before the class meeting. You are allowed to miss three posts without penalty over the course of the semester. At least six of your posts, randomly determined, will be graded over the course of the semester; my comments and grades will be visible to you in the Oncourse Gradebook when one of your posts is graded. Posts should be 1-paragraph-to-1-page responses to the assigned readings and films. They should include at least one question for discussion in class. You are encouraged to read, reply, and comment on each otherÕs posts. You may post at anytime during the week prior to class, but no later than 3:00 p.m. on the day prior to class. These deadlines give us all time to read each othersÕ posts and reflect on them before class, and refer to them in class discussion. The aim of the online discussion forum here is to enable us to collectively determine the approach to stigma that we want to develop over the semester, and to ensure full student participation in charting the direction of our class discussions.

 

3. Two Short Papers, 3-5 pages each:

Paper #1 due Oct 14

Paper #2 due Oct 30

 

4. Midterm: 5 page take-home essay on the subject of different strategic responses to stigma, including such ideas as the deployment of subcultural capital; the pros and cons of visibility and invisibility; and the creation and documentation of alternative rituals and bodily practices. The midterm essay will be handed out in class on Oct. 28 and due in class on Nov. 6.

 

5. Final: The final for this class is an interactive web-based project in two parts:

  1. Write up a report on an interview, event, topic, or experience that you either conduct, witness, research, or remember that allows you to explore questions of the management of stigma among a particular community, group, or category of people. Make your description ÒthickÓ: that is, give us enough detail and characterization that your readers can usefully join you in Òthinking withÓ your material. In your report, include sections on how this particular stigma relates to others weÕve discussed in class, and on how the situation you are considering sheds light on the workings of stigma in general. Post your report on the Oncourse Forums topic ÒFinal Projects.Ó Your report should be roughly 2 full pages (that is, quite a bit longer than our usual reading response posts, and roughly equivalent to a 4-page double spaced paper). This report is due by midnight on Monday, December 15th.
  2. Respond to the reports of two other students. The first will be to the posting of a student with whom I have paired you (I will provide this list in class): you will respond to each otherÕs posted reports. The second is to a posting of your choice. In this way, every studentÕs report will receive at least one response from a classmate, and possibly more. Post your responses by using the ÒReplyÓ tab in the Oncourse forum for Final Projects so that others can benefit from your comments as well. Your two response posts are due by midnight on Thursday Dec. 18th.

The structure for the responses you give your classmates is as follows:

Your report should allow you to further study questions raised in class regarding relations of stigma, the specific strategic responses to stigma among a particular community or people, and your own negotiation of these relations in researching your topic. You might think of topic selection here as a sort of pilot project: here is a chance to approach a subject of interest to you from a particular angle, that of stigma and its attendant relations. Hopefully this angle will add depth to what you envision doing with this interest as you proceed in life and in your future studies. Write your report in the first person. The response portion of the project is designed to allow everyone to learn from your final project, not just me, creating a larger forum for discussion and thought.

*Note: If you are short of ideas for a topic for your final project, find a list of possible subjects and reference materials on the last four pages of this syllabus.

 

Grading (by percentage points)

Attendance & class participation = 15%

Weekly web postings = 35%

Two short papers due Oct. 14 & Oct. 30 = 10% each (total 20%)

Midterm essay due Nov. 11 = 15%

Final Project report & responses due in December = 15%

 

Syllabus

 

Class 1: Tuesday, Sept 2Introduction to syllabus and course objectives.

 

Class 2: Thursday Sept 4 - Key texts and theories (1): Goffman day 1

Read:

 

Thursday Sept 4, 7:15 p.m. screening:

ÒParis Is BurningÓ (dir. Jennie Livingston, 1990; 71 min.)

 

Class 3: Tuesday Sept. 9 -- How stigma changes

Read:

In-class handouts:

 

Class 4: Thursday Sept. 11 - Goffman day 2

Read:

Thursday Sept. 11, 7:15 p.m. screening:

ÒTongues UntiedÓ (dir. Marlon Riggs, 1990; 55 min.)

 

Class 5: Tuesday Sept. 16 -- Goffman day 3

Read:

Supplementary reading (voluntary):

 

Class 6: Thursday Sept 18 – Key texts and theories (2): Bourdieu day 1, ÒTaste classifies, and it classifies the classifierÓ (p. 6)

Read:

 

Thursday Sept 18, 7:15 p.m. screening:

ÒJesus is MagicÓ (Sarah Silverman, 2005; 87 min.)

 

Class 7: Tuesday Sept. 23 Bourdieu day 2: ÒTastes are perhaps first and foremost distastes, disgust provoked byÉ the tastes of othersÓ (p. 56)

Read:

 

Class 8: Th Sept 25 – Strategic Responses to stigma #1: Hebdige, Hipness, & Music Subcultures

Read:

 

Thursday Sept. 25, screening 7:15 pm

ÒEarthÓ (dir. Deepa Mehta, 1999; 110 min)

 

Class 9: Tuesday Sept. 30 -- Hipness & Music Subcultures 2

Read:

 

Class 10: Thursday Oct 2: Classic stigma – the freak show, Bogdan day 1

Read:

 

Thursday Oct. 2 screening 7:15 pm

ÒFreaksÓ (dir. Todd Browning, 1932; 62 min.) The horror classic!

 

Class 11: Tuesday Oct 7 – Bogdan, day 2: Issues in the display of persons (1)

Read:

View in class:

*First short paper assignment handed out in class (the assignment is on Oncourse)

 

*Short Paper Assignment #1, due in class Tuesday Oct.14:

http://www.999eyes.com/ & http://www.circusamok.org/merch

Write a job application letter to get yourself hired by either 999 Eyes or Circus Amok, knowing, as you do from reading Bogdan, that freak shows have room for Òmade freaksÓ as well as Òborn freaks,Ó and every possible combination thereof. What act can you imagine for yourself in the context of such spectacle?

Make sure to read the complete assignment instructions on Oncourse

 

Class 12: Thursday Oct 9 [Yom Kippur]: Issues in the display of persons (2): What to do? Taking on established display practices and entrenched attitudes

Read:



Thursday Oct. 9 Screening 7:15 pm

ÒSideshow GalsÓ (WEtv 2008,The Secret Lives of Women episode 324, 44 min.)

ÒUn Cirque a New YorkÓ (F. Pressman, 2002; 54 min.)

 

Class 13: Tuesday Oct. 14 – Strategic Response #5: Claiming, aiming, and turning stigma around: addressing stigmatizing attitudes in performance and action

*1st short paper due in class today

Read:

 

Class 14: Th Oct. 16: What is done to some people to make others comfortable

Read:

Recommended reading:

 

Thurs Oct. 16, 7:15 pm

ÒTwin Falls IdahoÓ (dir. Michael Polish, 1999; 110 min.)

 

Class 15: Tuesday Oct 21Strategic Responses to stigma 3: invisibility pros & cons

Read:

 

Class 16: Thursday Oct 23 – strategic responses #3 contÕd: Staring Back

Read:

[Note: Placed here, this essay is grouped with other autobiographical statements on confronting stigma, foreshadowing our unit on transgender (in two weeks), and tying into the monstrous freak body stuff and performance art stuff (previous two weeks).] (Oncourse)

 

Thursday Oct 23 film screening:

ÒRollingÓ (dir. Gretchen Berland, 2003)

 

Short Paper assignment #2 due in class on Oct. 30:

Follow a thread on www.wheelchairjunkie.com (in the Òjuke jointÓ) in which you recognize issues of stigma being discussed. Write a short (3 page, double-spaced) response paper about what you found interesting in the online discussion in relation to our class discussions and readings to date.

[A useful companion site on wheelchairs: http://members.tripod.com/lenmac/]

 

Class 17: Tuesday, Oct 28Strategic responses to stigma 4: Disability Activism

Read:

 

Class 18: Thursday, Oct 30 -- Disability Activism 2: Universal Design

*2nd Short Paper due in class

Read four news articles:

Suggested viewing (available at reserve desk in library):

á      ÒMy Left FootÓ (dir. Jim Sheridan, 1989; 98 min.)

Thursday Oct. 30 Screening 7:15 pm

ÒSheÕs A Boy I KnewÓ (dir. Gwen Haworth, 2007; 70 min.)

***Special Event Friday Oct 31, Noon – 1:15 p.m.***

Gwen Haworth (ÒSheÕs A Boy I KnewÓ)

"The Power of Self-Representation in Filmmaking on Issues of Gender & Sexuality"

Q&A follows

Room 100, 800 E 3rd St.

[students receive extra credit for attending this event & posting a response = 1 make-up credit for any missed reading response posting you might have]

This event is co-sponsored by the Departments of Communication & Culture, Gender Studies, History, and American Studies.

 

Class 19: Tues Nov 4 -- Strategic Responses to stigma #6: biological manipulations and transgender warriors

Read:

¥ Feinberg, Leslie. 1995. Stone Butch Blues. Read the first half of novel.

*Midterm exam handed out in class: take-home essay, 5 pages, due Nov. 11:

 

Class 20: Th Nov. 6-- Transgender (day 2)

Read:

Recommended reading:

 

Thursday Nov. 6 Screening 7:15 p.m.

ÒSouthern ComfortÓ (dir. Kate Davis, 2003; 90 min.)

 

Class 21: Tuesday, Nov. 11 – Trans Somatechnics: do we choose our bodies?

*Midterm due in class

Read:

Recommended:

 

Class 22: Thursday, Nov. 13 -- Internalizing ideology, day 1

Read:

 

Thursday, Nov. 13 Screening, 7:15 p.m.:

ÒWaterÓ (dir. Deepa Mehta, 2006; 114 min.)

 

Class 23: Tuesday, Nov 18 Internalizing ideology, day 2

Read:

 

Class 24: Thursday Nov. 20 – Strategic responses to stigma #7: putting the terms of display on display

Read

á      Fieldtrip to ÒWonderlabÓ

 

Thursday Nov. 20 film screening:

ÒThe Station AgentÓ (dir. Thomas McCarthy, 89 min.)

 

Class 25: Tuesday Nov. 25–Strategic responses to stigma #8: Everyday resistance


*Begin discussing final project in class

**No class Thursday Nov. 27 – Happy Thanksgiving!

 

Class 26: Tuesday Dec. 2–Everyday resistance, contÕd.

Read:

 

Class 27: Thursday, Dec. 4 – Collective resistance: the beginnings of a movement

 

Thursday Dec. 4 Screening 7:15 p.m.

ÒFireÓ (dir. Deepa Mehta, 2000)

 

Class 28: Tuesday Dec. 9– The intersecting stigmas of sex, race, class, and nationality

Recommended reading:

 

Class 29: Thursday Dec. 11

 

Free Week = Monday Dec. 8 – Sunday Dec. 14

Final Exam period = Monday Dec 15 – Friday Dec. 19

Report portion of online final project = Mon Dec 15 [set date & time w/students]

Response portion of online final project = Th Dec 18 [set date & time w/ students]


 

Ideas and possible topics for final projects

(with preliminary suggestions for references and readings)

 

ÒCampÓ as a strategy for resisting stigma

 

Prison: the other inside

 

Same-Sex Marriage

 

Maids: doing the dirty work (working through race & class categories)

 

Sex-work: in the life


Strategic Response #8: Ex-Patriotism (Paris, France in the imaginary of African-American, queer, and other marginal artists including James Baldwin, Langston Hughes, and Gertrude Stein)

 

Body Modification: modern primitives

 

Body Size, Fat, Anorexia

 

Changes in Ethnic Identity: Jews

 

Homosexualities & Homophobias: the difference culture makes

 

Urban Myths of Race and Class

 

Divorce

 

Adoption

 

Infertitlity

 

Gay Parenting

 

Immigrants: different generational responses

 

Refugees: coping strategies for the impossible and unforeseen

 

Additional General Stigma Theory Readings:

These essays represent some of the best of:

1) Queer theory and the power of being outside the norm:

2) Race theory, specifically on whiteness in the U.S.:

3) Theories of the abject: